Gitaar Module 1 Ozma Music Ware vzw
De open akkoorden FM Ozma Music Ware vzw 2
The Classical guitar Fret boxset Snaar nummer Kam Een Aap Die Geen Bananen Eet Ozma Music Ware vzw 3
De noten en de eerste akkoorden DO RE MI FA SOL LA SI DO C D E F G A B C Het E mineur akkoord : open snaren Het A mineur akkoord : Het D mineur akkoord : Deze snaar NIET spelen Ozma Music Ware vzw 4
Akkoorden opeenvolgingen II Am I Em II II Am I Dm II II Dm I Em II Oefeningen : II Am I Dm I Am I Em II II Dm I Am I Em I Am II II Em I Dm I Em I Am II II Am I Em I Am I Dm II Ritme en aanslag II 1 2 3 4 II Dit zijn de PULSEN per MAAT Hele toon : duurt 4 pulsen Halve toon : duurt 2 pulsen Kwart toon : duurt 1 puls Ozma Music Ware vzw 5
Het 12 maten A mineur Blues Akkoordenschema II: Am I Am I Am I Am I I Dm I Dm I Am I Am I I Em I Dm I Am I Am :II Herhalingsteken Enkele variaties : II: Am I Am I Am I Am I I Dm I Dm I Am I Am I I Em I Dm I Am I Em :II II: Am I Dm I Am I Am I I Dm I Dm I Am I Am I I Em I Dm I Am I Em :II II: Am I Dm I Am I Am I I Dm I Dm I Am I Am I I Em I Em I Am I Am :II Ozma Music Ware vzw 6
Het mineur Blues schema met Ritmes Ozma Music Ware vzw 7
Begeleiding met basnoten Op elke tel een vol akkoord is teveel AKKOORDEN BASSEN Centrale C of Do Bas snaren Harmonie snaren Ozma Music Ware vzw 8
Ozma Music Ware vzw 9
Het E Majeur akkoord : De basis majeur akkoorden (Opmerking ; dezelfde greep als EM, maar alles 1 snaar hoger) Het A Majeur akkoord : Het D Majeur akkoord : De 6de snaar wordt NIET meegespeeld Ozma Music Ware vzw 10
Akkoordenschema s II: AM I DM :II II: AM I EM :II II: DM I EM :II Variaties : (gebruik de ritme patronen van vorige pagina s) II: AM I AM I DM I DM :II II: AM I EM I DM I EM :II II: AM I DM I AM I EM :II II: DM I EM I DM I AM :II II: EM I DM I AM I EM :II Some variations : II: AM I AM I AM I AM I I DM I DM I AM I AM I I EM I DM I AM I EM :II II: AM I DM I AM I AM I I DM I DM I AM I AM I I EM I DM I AM I EM :II II: AM I DM I AM I AM I I DM I DM I AM I AM I I EM I EM I AM I AM :II Het A Majeur 12 maten Blues Schema II: AM I AM I AM I AM I I DM I DM I AM I AM I I EM I DM I AM I AM :II Ozma Music Ware vzw 11
Power chords 5 slaat op de 5DE TOON (kwint) die bij de GRONDNOOT wordt gespeeld STACCATO Dempen PALM MUTE Ozma Music Ware vzw 12
Groove Rhythm BINAIR TERNAIR GROOVE RHYTHM Rock n Roll patroon Ozma Music Ware vzw 13
BLUE SUEDE SHOES (E (ELVIS PRESLEY) Well it's a Bpm = 170 one for the money, two for the show, three to get ready now go, cat,go, but I DM I DM I AM I AM I don't you step on my blue suede shoes. You can I EM I DM I AM I AM II do anything, but lay off of my blue suede shoes. Well you can II AM I AM I AM I AM I knock me down, step in my face, slander my name all over the place, and I AM I AM I AM I AM I do anything that you want to do. But ah ah, honey, lay off of my shoes. and I DM I DM I AM I AM I don't you step on my blue suede shoes. You can I EM I DM I AM I AM II do anything, but lay off of my blue suede shoes. Solo (12 bars) Well you can burn my house, steal my car, drink my liquor from an old fruit jar, and do anything that you want to do. But ah ah, honey, lay off of my shoes, and don't you step on my blue suede shoes. You can do anything but lay off of my blue suede shoes. Solo (12 bars) one for the money, two for the show, three to get ready now go, cat,go, but I DM I DM I AM I AM I don't you step on my blue suede shoes. You can I EM I DM I AM I AM II do anything, but lay off of my blue suede shoes. Well it's a II AM I AM I AM I AM I blue blue, blue suede shoes, blue blue, blue suede shoes, I DM I DM I AM I AM I blue blue, blue suede shoes, baby, blue blue, blue suede shoes. Well, you can I EM I DM I AM I AM II do anything but lay off of my blue suede shoes. Ozma Music Ware vzw 14
Het E (Dominant) 7 akkoord : De (Dominant) 7 akkoorden Het A (Dominant) 7 akkoord : Het D (Dominant) 7 akkoord : 6de snaar NIET meespelen Ozma Music Ware vzw 15
Akkoordenschema s II: A7 I D7 :II II: A7 I E7 :II II: D7 I E7 :II Variaties : (gebruik de ritme patronen van vorige pagina s) II: A7 I A7 I D7 I D7 :II II: A7 I E7 I D7 I E7 :II II: A7 I D7 I A7 I E7 :II II: D7 I E7 I D7 I A7 :II II: E7 I D7 I A7 I E7 :II Enkele variaties : II: A7 I A7 I A7 I A7 I I D7 I D7 I A7 I A7 I I E7 I D7 I A7 I E7 :II II: A7 I D7 I A7 I A7 I I D7 I D7 I A7 I A7 I I E7 I D7 I A7 I E7 :II II: A7 I D7 I A7 I A7 I I D7 I D7 I A7 I A7 I I E7 I E7 I A7 I A7 :II Het A (Dominant)7 12 maten Blues schema II: A7 I A7 I A7 I A7 I I D7 I D7 I A7 I A7 I I E7 I D7 I A7 I A7 :II Ozma Music Ware vzw 16
Kansas City (Antoine Domino) Bpm :120 Intro: I'm going to II A7 I D7 I A7 I A7 I 4th beat is a REST Kansas City, Kansas City here I come. I m going to I D7 I D7 I A7 I A7 I Kansas City, Kansas City here I come. They got some I E7 I D7 I A7 I A7 II pretty little women there, I'm gonna get me one. I ll be II A7 I D7 I A7 I A7 I standing on the corner, of 12th street and five. I ll be I D7 I D7 I A7 I A7 I standing on the corner, of 12th street and five. With my I E7 I D7 I A7 I A7 II Kansas city baby and a bottle of kansas city wine. well I might take a plane, might take a train, if I have to walk I m gonna do the same, going II D7 I D7 I A7 I A7 I to Kansas City, Kansas City here I come. They got some I E7 I D7 I A7 I A7 II pretty little women there, I'm gonna get me one They got some some II E7 I D7 I A7 I A7 I crazy little women there, I'm gonna get me one. They got some I E7 I D7 crazy little women there, I'm gonna get me one. Ozma Music Ware vzw 17
1. II: Em I A7 I DM I DM :II 2. II: Am I Dm I A7 I DM :II 3. II: EM I E7 I DM I D7 :II 4. II: A7 I DM I E7 I D7 :II More chords progressions 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. Ozma Music Ware vzw 18
Andere akkoorden Het C Majeur akkoord : Het G Majeur akkoord : Het F Majeur akkoord : Deze snaar wordt NIET meegespeeld 1 vinger speelt 2 snaren Het G (dominant) 7 akkoord : Ozma Music Ware vzw 19
Akkoordenschema s II CM I GM II II G7 I CM II II FM I GM II Probeer deze schema s uit met volgende ritme patronen 1. 2. 3. 4. 5. Combinatie van alle akkoorden : 1. II: CM I Dm I Am I D7 I GM :II 2. II: GM I AM I A7 I DM I GM :II 3. II: FM I GM I CM I FM I GM :II 4. II: DM I D7 I GM I G7 I CM :II 5. II: Am I A7 I E7 I FM I CM ;II 6. II: GM I Em I Am I D7 I GM :II Variaties op een blues schema : II: GM I GM I GM I GM I I CM I CM I GM I GM I I DM I CM I GM I DM :II II: DM I GM I DM I DM I I GM I GM I DM I DM I I AM I GM I DM I AM :II Ozma Music Ware vzw 20
Rocking in a Free World (Neil Young) BPM : 135 Intro : There's II Em I DM CM I Em I DM CM I colors on the street, red, white and blue. People I Em I DM CM I Em I DM CM II shufflin' their feet, people sleepin' in their shoes. But there's a II Em I DM CM I warnin' sign on the road ahead, there's a I Em I DM CM II lot of people sayin', we'd be better off dead. Don't II Em I DM CM I feel like satan, but I am to them. So I I Em I DM CM II try to forget it, any way I can this is a note, not a chord Keep on rockin' in the free world Keep on rockin' in the free world Keep on rockin' in the free world Keep on rockin' in the free world II AM I AM I AM I AM II + II: Em I DM CM :II I see a woman in the night, with a baby in her hand. Under an old street light (near a garbage can), near a garbage can. Now she puts the kid away, and she's gone to get a hit. She hates her life, and what she's done to it. That's one more kid, that will never go to school. Never get to fall in love, never get to be cool Chorus + II AM I AM I AM I AM II Solo : II: Em I DM CM :II We got a thousand points of light, for the homeless man. We got a kinder, gentler, machine gun hand. We got de partment stores, and toilet paper, Got styrofoam boxes for the ozone layer. Got a man of the people, says keep hope alive. Got fuel to burn, get roads to drive Chorus + II AM I AM I AM I AM II (X4) Solo : II: Em I DM CM :II Ozma Music Ware vzw 21
Sweet Home Alabama (Lynyrd Skynyrd) Bpm : 100 Intro : II: DM CM I GM :II (X4) II: DM CM I GM :II (X4) Big wheels keep on turning Carry me home to see my kin. Singing songs about the southland I miss'ole' 'bamy once again (and I think it's a sin) Instrumental : II: DM CM I GM :II II: DM CM I GM :II (X4) Well, I heard Mister Young sing about her Well, I heard ole Neil put her down. Well, I hope Neil Young will remember, A southern man don't need him around anyhow II: DM CM I GM :II (X4) Sweet home Alabama, Where the skies are so blue, Sweet home Alabama, Lord, I'm coming home to you. Instrumental : II: DM CM I GM :II II DM CM I GM FM CM II In Birmingham they love the Gov'nor Boo hoo hoo! II: DM CM I GM :II (X3) Now we all did what we could do. Now Watergate does not bother me. Does your conscience bother you? (tell the truth) Chorus + instrumental II: DM CM I GM :II (X4) Now Muscle Shoals has got the Swampers And they've been known to pick a tune or two Lord they get me off so much They pick me up when I'm feeling blue, now how about you? Chorus (X2) Ozma Music Ware vzw 22
Rusten in de ritmiek Ozma Music Ware vzw 23
I I Intro: II AM I AM I AM I EM I I EM I EM I EM I AM II Achy Breaky Heart (Don Von Tress) Bpm = 120 II: AM I AM I You can tell the world you never was my girl, I AM I EM I You can burn my clothes up when I'm gone, I EM I EM I You can tell your friends just what a fool I've been, and EM I AM :II laugh and joke about me on the phone. You can tell my arms go back to the farm, You can tell my feet to hit the floor, or you can tell my lips to tell my fingertips, they won't be reaching out for you no more. But II AM I AM I don't tell my heart, my achy breaky heart, I I AM I EM I just don't think he'd understand. And I EM I EM I if you tell my heart, my achy breaky heart, he I EM I AM II might blow up and kill this man. You can tell your Ma I moved to Arkansas, You can tell your dog to bite my leg, or tell your brother Cliff whose fist can tell my lip, he never really liked me anyway. Or tell your aunt Louise, tell anything you please, Myself already knows I'm not O.K., Or you can tell my eyes to watch out for my mind, it might be walking out on me today. Chorus (X2) Ozma Music Ware vzw 24
Ain't No Sunshine (Bill Withers) Bpm = 75 Intro : Ain't no sunshine when she's II Am. /E /G I Am. /E /G I gone, it's not warm when she's a I Am. /E /G I Am. /E /G I way. Ain't no sunshine when she's I Dm I FM I gone, she's always gone too long, any time she goes Away I wonder this time if she's gone, wonder if she's gonna Stay, cause there ain't no sunshine when she's gone, this house just ain't no home, Any time she goes away I know, I know, I Know, I know.well, I'm gonna leave that young thang alone, ain't no sunshine when she's gone Ain't no sunshine when she's gone, only darkness every day. Ain't no sunshine when she's gone, this house just ain't no home, any time she goes Away (any time she goes a..) II Am. /E /G I Am. /E /G II way way Any time she goes a Ozma Music Ware vzw 25
Intro II: Am GM I FM GM :II ALL ALONG THE WATCHTOWER (Bob Dylan) Bpm : 130 II: Am GM I FM GM :II (X4) There must be some kind of way out of here Said the joker to the thief There's too much confusion I can't get no relief Business men they drink my wine Plowmen dig my earth None would ever compromise Nobody of this world No reason to get excited The thief he kindly spoke There are many here among us Who feel that life is but a joke But you and I we've been through that And this is not our place So let us stop talking falsely now The hour's getting late All along the watchtower Princess kept the view While all the women came and went Barefoot servants too Outside in the cold distance A wildcat did growl Two riders were approaching And the wind began to howl All along the watchtower All along the watchtower All along the watchtower All along the watchtower Ozma Music Ware vzw 26
Some Bright Side of Life (Monty Python) Bpm : 130 II Am DM I GM Em I things in life are bad they can really make you mad I Am DM I GM I Other things just make you say bad words. When you're I Am DM I GM Em I chewing on life's gristle, don't grumble give a whistle, and I A7 I D7 D+ II this'll help things turn out for the best And II: GM Em I Am D7 I GM Em I Am D7 :II always look on the bright side of life always look on the light side of life (If) life seems jolly rotten there's something you've forgotten, and that' s to laugh and smile and dance and sing. When you've feeling in the dumps don't be silly chumps, just purse your lips and whistle - that's the thing Chorus (For) life is quite absurd and death's the final word, you must always face the curtain with a bow. For get about your sin - give the audience a grin. En joy it - it's your last chance anyhow. Chorus (X2) Ozma Music Ware vzw 27
DON'T STOP (Christine McVie) Bpm : 120 Intro : II: DM CM I GM :II (X3) If you wake up and don't want to smile If it takes just a little while Open your eyes and look at the day II AM I II You'll see things in a different way II: DM CM I GM :II (X3) Don't stop thinking about tomorrow Don't stop, it'll soon be here It'll be better than before II AM I II Yesterday's gone, yesterday's gone Why not think about times to come And not about the things that you've done If your life was bad to you Just think what tomorrow will do Chorus All I want is to see you smile If it takes just a little while I know you don't believe that it's true I never meant any harm to you II DM CM I GM II Don't stop thinking about tomorrow Don't stop, it'll soon be here II DM CM I GM I It'll be better than before I AM I II Yesterday's gone, yesterday's gone Chorus II: DM CM I GM :II Oooooooooh, Oooooooooh, don't you look back don't you look back Ozma Music Ware vzw 28
GIMME HOPE JO ANNA (E Intro: II: AM I DM :II (X3) II AM EM I AM II Well Jo' B) (EDDY GRANT ORIGINEEL IN B) Tempo :130 II: AM I DM I AM I EM :II Anna she runs a country, she runs in Durban and the Transvaal. few of her people happy, oh, she don't care about the rest at all She makes a She's got a II AM I DM I AM I EM I system they call apartheid, it keeps a brother in a subjection But maybe I AM I DM I AM EM I AM II pressure can make Jo'anna see, how everybody could a live as one Gimme II AM I DM I hope, Jo'anna, hope, Jo'anna, gimme I AM I EM I hope, Jo'anna 'fore the morning come. Gimme I AM I DM I hope, Jo'anna, hope, Jo'anna, I AM EM I AM gimme II Hope before the morning come. I hear she make all the golden money, to buy new weapons, any shape of guns. mother in black Soweto fears, the killing of another son. cross all the neighbours' borders, now and again having little fun. care if the fun and games she play, is dang'rous to ev'ryone Refrein + Instrumentaal (refrein) While every Sneakin' a She doesn't Gimme (She's got sup)porters in high up places, who turn their heads to the city sun. Jo'anna give them the fancy money, oh to tempt anyone who'd come. She even knows how to swing opinion, in every magazine and the journals. For every bad move that this Jo'anna makes, they got a good explanation Gimme Refrein (Even the) preacher who works for Jesus, the Archbishop who's a peaceful man. Together say that the freedom fighters will overcome the very strong. I wanna know if you're blind Jo'anna, if you wanna hear the sound of drums. see that the tide is turning, oh don't make me wait till the morning come Refrein (X2) Can't you So Gimme Ozma Music Ware vzw 29
(V GLORIA (VAN MORRISON) Intro: II: EM. DM AM I EM. DM AM :II Like to tell ya about my baby, You know she comes a round. She about five feet four. A-from her head to the ground. You know she comes around here, at just about mid night. She make ya feel so good, Lord. She make ya feel all right. And her name is G-L-O-R-I, G-L-O-R-I-A (GLORIA) G-L-O-R-I-A (GLORIA). I'm gonna shout it all night (GLORIA). I'm gonna shout it every day (GLORIA). Yeah-yeah-yeah-yeah-yeahyeah. She comes around here, just about mid night. Ha, she make me feel so good, Lord. I wanna say she make me feel al right. Comes a-walkin' down my street, when she comes to my house. She knocks upon my door. And then she comes in my room. Yeah, an' she make me feel al right Refrein Tempo :130 Ozma Music Ware vzw 30
Hey Jude (Lennon/McCartney origineel in F) Tempo : 75 Capo op 3de fret II: DM I AM I A7 I DM I Hey Jude dont make it bad take a sad song and make it better. Re- I GM I DM I AM I DM (D7) :II member to let her into your heart and then you can start to make it better Hey Jude dont be afraid, you were made to go out and get her. The minute you let her under your skin, then you begin to make it better II GM I GM /F# I Em I And anytime you feel the pain hey jude refrain dont carry the I Em AM/C# I DM D7 I World upon your shoulders I GM I GM /F# I Em I For well you know that its a fool who plays it cool by making his I Em AM/C# I DM II world a little colder Hey Jude dont let me down, you have found her now go and get her Remember to let her into you heart, then you can start to make it better So let it out and let it in hey Jude begin your waiting for someone to perform with And dont you know that its just you hey jude you'll do The movement you need is on your shoulders Hey Jude dont make it bad, take a sad song and make it better. Remember to let her under your skin, and then you'll begin to make it better II: FM I /Eb I BbM I FM :II Na na na na na na na, na na na na, hey Jude (Repeat and fade) Ozma Music Ware vzw 31
(W Intro: II CM I GM I CM I FM GM CM. II II CM I II LAT MIE MOR LOPEN F) (WILLEM VERMANDERE-ORIGINEEL IN F) Tempo :145 II CM I I 'k Moest heel mijn jong leven studeren, I CM I G7 I en 'k wierd computerspecialist I G7 I I 'k Kost het zodanig programmeren, I G7 I CM (break) II totda' 'k van toeten noch blazen meer wist Bievoorbeeld hoeveel mocht ik II: CM I I eten, sta mijnen buik nog niet te I G7 I I bol Mijnen computer kost dat I G7 I I weten, I CM (!) (beak) rol Lat mie mor lopen langs de straten, zie late, zie kasteeltje, hang weeltje, vang Wil j' u electrisch de stand van mijnen choleste :II ik en mijn lief da' 'k zo geiren En dansen doen we tot 's avonds en dichte vrijen, ik en Ik had een huis 't was een met vast tapijt en sjiek be Mijn moeder zei 't is een ju en 'k peisde 'k ik 't is mijn ge installeren, zoek je nen diepvries of nen frigo Deur 't feit da' 'k ik mie nie moe scheren, krijg je mijn scheermachien ca deau Lat mie mor lopen langs de Refrein + intro (Mijn caravanne ga 'k ver) kopen, en mijne velo is her steld Ik lere were te voete lopen, de Cote d' Azur is afbe steld Voor mijne verjaardag 'k mag nie stoefen, kort kloefen, sport Refrein + intro krijg ik en 't is heel binnen een schoon paar nieuwe beste 'k ga nie meer mee op winter Lat mie mor lopen langs de (Nu kweek ik zwins en 'k kweeke) schapen, en 'k steeke keuns in 't honde kot 'k Zaai mijn pelouse vol met rapen, voor d naaste winter in den hutse pot Lat mie mor lopen langs de Refrein + solo + Refrein Ozma Music Ware vzw 32
Intro: II D7 I I GM I II Mi (R MARINA (ROCCO GRANATA) Tempo :190 II: GM I I I I sono innamorato di Marina U- I GM I I D7 I I na ragazza mora ma carina Ma I D7 I I I I lei non vuol saperne del mio amore. Co I D7 I I GM I :II sa faro' per conquistarle il cuor. Un girono l'ho incontrata sola sola. cuotre mi batteva mille all'ora do le dissi che la volevo amare diede un bacio e l'amor sboccio'. Il Quan Mi Ma II GM I I D7 I I rina, Marina, Marina. I D7 I I GM I Ti :II voglio al piu' presto sposar. Ma rina, Marina, Marina voglio al piu' presto sposar. Ti O mia bella II: D7 I I GM I :II mora, no non mi lasciare Non mi devi rovinaren Oh, no, no, no, no, no. O mia bella mora, no non mi lasciare. Non mi devi rovinare Oh, no, no, no, no, no Refrein + bridge Solo (strophe X2) Ozma Music Ware vzw 33
NIGHTS IN WHITE SATIN (M Intro: II:3/4 Em I I DM/F# I :II (MOODY BLUES) Tempo :150 II: 3/4 Em I I DM/F# I I Nights in white satin, I Em I I DM/F# I I never reaching the end, I CM I I GM I I Letters I've written, I FM I I Em I :II never meaning to send. Beauty I've always missed, with these eyes before, Just what the truth is, I can't say any more II AM I I I I love you, yes I I CM I I I I love you, oh, how I II: Em I I DM/F# I :II love you. Gazing at people, some hand in hand, Just what I'm going through, they can't understand. Some try to tell me, thoughts they cannot defend, Just what you want to be, you'll be in the end. And I Refrein Solo : II: Em I I DM/F# I I I CM I I B7/D# I :II cause I II: Em I I CM I :II II Am I I B7 I :II II: Em I I DM/F# I :II Nights in white satin, never reaching the end, Letters I've written, never meaning to send. Beauty I've always missed, with these eyes before, Just what the truth is, I can't say any more cause I Refrein (X2) Ozma Music Ware vzw 34
NO MILK TODAY (H (HERMAN S HERMITS) Intro: II /A /A. EM I Am Am. E7 I Em Em. Am II II: Am I CM I No milk today, my love has gone away, the I E7 Am I bottle stands forlorn, a E7 Am :II symbol of the dawn. No milk today, it seems a common sight, but people passing by, don't know the reason why. II: AM I GM I How could they know, just what this message means? The I DM I E7 AM :II end of my hopes, the end of all my dreams. How could they know, a palace there had been? behind the door, where my love reigned as Queen. II: Am I CM I No milk today, it wasn't always so, I E7 Am I E7 Am I 6/4 Am (!!) II the company was gay, we'd turn night into day. II: AM E7 I DM E7 :II (X3) But all that's left is a place, dark and lonely. A terraced house in a mean street, back of town.. becomes a shrine when I think of you only.. II DM I E7 II just two up, two down. No milk today, it wasn't always so, the company was gay, we'd turn night into day. As music played the faster did we dance, we felt it both at once, the start of our romance. Refrein Bridge No milk today, my love has gone away, the bottle stands forlorn, a symbol of the dawn. No milk today, my love has gone away, the bottle stands forlorn, a symbol of the dawn. No milk today, it seems a common sight, but people passing by, don't know the reason why. Refrein No milk today, it wasn't always so, the company was gay, we'd turn night into day. Bridge (X2 fade out) Tempo : 130 Ozma Music Ware vzw 35
These boots are made for walkin (Nancy Sinatra origineel in D) Intro : II EM /D I /C# /B I /F /Eb I EM II Tempo :170 II: EM I I I :II You keep saying you got something for me Something you call love but confess II AM I I I I You've been a'messin' where you shouldn't 've been a'messin' I EM I I I II someone else is getting all your best Well, these And now II GM I EM I GM I EM I boots are made for walking, and that's just what they'll do I GM I GM (break)i II: Intro I :II One of these days these boots are gonna walk all over you You keep lyin' when you oughta be truthin' You keep losing when you oughta not bet You keep samin' when you oughta be a'changin', What's right is right but you ain't been right yet These Refrein You keep playing where you shouldn't be playing And you keep thinking that you'll never get burnt (HAH) Well, I've just found me a brand new box of matches (YEAH). And what he knows you ain't had time to learn These Refrein II EM I II: I :II Are you ready, boots? Start walkin' Ozma Music Ware vzw 36
Barrée akkoorden Starten bij de basis grepen A en E : Door de wijsvinger te gebruiken schuiven we verder op de gitaarnek : Door de combinatie van de basisgrepen A en E in de MAJEUR, MINEUR en DO- MINANT 7 greep kunnen we alle andere akkoorden vinden op de gitaarnek Ozma Music Ware vzw 37
Wijsvinger De Chromatische cirkel Halve toon Tussen elke fret ligt er 1 HALVE toon Ozma Music Ware vzw 38
Door deze 2 gegevens vinden we de andere akkoorden terug Vb : Gm : Vanaf Am krijgen we 10 halve tonen hoger Gm Vanaf Em krijgen we 3 halve tonen hoger Gm Door de kleinste afstand te kiezen krijgen we : 3de fret Em Vul nu alle mogelijkheden in : Am Em Cm Gm +10 +3 Dm Am 0 Em 0 Bm F#m C#m Abm Ebm Bbm Fm AM EM BM GM C#M AM 0 EM 0 BbM CM AbM EbM DM F#M FM A7 E7 E7 0 Ab7 C7 F#7 B7 D7 F7 Eb7 A7 0 Bb7 G7 C#7 Ozma Music Ware vzw 39
THIS IS THE LIFE (A (AMY MCDONALD) Intro : II C#m I I AM I I EM I I G#m I II Oh the II: C#m I I AM I I wind whistles down, the cold dark street tonight, and the I EM I I G#m I :II people they were dancing to the music vibe, And the boys chase the girls with the curls in their hair, while the shy tormented youth sit way over there. And the songs they get louder, each one better than be fore. And you're singing the Bpm : 190 A E C#m AM 0 EM 0 G#m Songs, thinking this is the life, and you wake up in the morning and your head feels twice the size Where you gonna go? Where you gonna go? Where you gonna sleep Tonight? And you're singing the Songs, thinking this is the life, and you wake up in the morning and your head feels twice the size Where you gonna go? Where you gonna go? Where you gonna sleep tonight? Where you gonna sleep II: C#m I I AM I I EM I I G#m I :II tonight? So your heading down the road in your taxi for four And you're waiting outside Jimmy's front door But nobody's in and nobody's home 'til four So you're sitting there with nothing to do Talking about Robert Riger and his motley crew And where you're gonna go and where you're gonna sleep tonight Chorus (X2) II: C#m I I AM I I EM I I G#m I :II Where you gonna sleep tonight? Chorus (ad lib) Melody : Ozma Music Ware vzw 40
Intro: I don't (E I D I DON T WANNA DANCE /L (EDDY GRANT/L /LADY LINN ORIGINEEL IN IN DB) Tempo :120 II BM I I F#7 I I wanna dance, dance with you baby no more, I'll never do something to I G#m I I BM I F#M II hurt you, though, oh but the feeling is bad, the feeling is bad II: BM I I F#7 I I I love your personality, but I don't want our love on show I G#m I I BM I :II Sometimes I think it's insanity, Girl the way you go With all of the guys on the corner, oh baby, you're the latest trick Oh, you seem to have their number, look they're dancing still Refrein Solo (refrein) Baby now the party's over, for us, so I'll be on my way Now that the things which moved me, are standing still I know it's only superstition,, baby, but I won't look back Even though I feel your music, baby that is that Refrein Don't wanna dance, don't wanna dance Don't wanna dance, don't wanna dance Don't wanna dance, Don't wanna dance Don't wanna dance. Refrein (ad lib) BM F#7 G#m A E Ozma Music Ware vzw 41
I SHOT THE SHERIFF (Bob Marley) II Gm I Cm I I Gm :II (X2) I shot the sheriff, I shot the sheriff, II: Cm I Dm I Gm I :II (X4) All around in my home town they're trying to track me down. They say they want to bring me in guilty for the killing of a deputy, for the killing of a deputy. But I say: but I did not shoot the deputy. but I did not shoot the deputy. Gm Cm Dm A Tempo : 80 E I shot the sheriff, but I swear it was in selfdefence. I shot the sheriff, but I swear it was in selfdefence. Sheriff John Brown always hated me for what I don't know. Ev'ry time that I plant a seed he said "Kill it before it grow," he said "Kill it before it grow." But I say: (Lick) I shot the sheriff, but I swear it was in selfdefence. I shot the sheriff, but I swear it was in selfdefence. Freedom came my way one day and I started out of town. All of a sudden I see sheriff John Brown, aiming to shoot me down. So I shot, I shot him down. But I say: (Lick) I shot the sheriff, but I did not shoot the deputy. I shot the sheriff, but I did not shoot the deputy. Reflexes got the better of me and what is to be must be. Ev'ry day the bucket goes to the well, but one day the bottom will drop out, yes one day the bottom will drop out. But I say: (Lick) Ozma Music Ware vzw 42
ALS DE DAG VAN TOEN (R (REINHART MEY) Intro: II GM I DM I CM I Em I DM I II Als de dag van II: GM I D7 :II toen, hou ik van jou. Misschien opoprechter en bewustertrouw. Want I B7 I Em I toch steeds weer is een dag zonder haar een I Am I D7 I verloren dag, met stil verlangen naar. Weer een dag als II: GM I D7 :II toen, waarop ze zei: Jij bent mijn leven sta aan mijn zij. En I Bm I Em I wat, wat er ook gebeuren mag. Ik hou nog I Am I CM I GM I II meer van jou, als toen die dag.". Ik weet nog Tempo :100 II GM I Am I D7 I GM D7 I goed hoe alles toen begon. Hoe vol geheimen was de weg die voor ons lag. Een I GM I Am I weg waarvan je soms de rand niet zag. Maar I CM I Am I D7 I wat er ook gebeurde, aan 't einde scheen de zon. Ik I GM I Am I D7 I GM D7 I tel de dagen die sindsdien verstreken, al lang niet meer op de vingers van één hand. De I GM I Am I tijd kan niets meer van jouw beeld verbleken, al is de I CM I C# I DM II weg ook nog zo lang, naar ons land. Als de dag van Refrein II GM I Am I D7 I GM D7 I Geen enkel uur is er dat ik berouw. Al geldt voor mij als troost, slechts één herinnering. I GM I Am I Nog meer dan gist'ren wacht ik nu op jou, maar I CM I Am DM II minder nog dan morgen, als de dag begint. Solo : II GM I DM I CM I Em I DM I I II Als de dag van Refrein (X2 fade out) B7 Bm A E Ozma Music Ware vzw 43
Ozma Music Ware vzw 44